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Ci-dessous, les différences entre deux révisions de la page.
| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
| fichiers:fontes:fontes_t1_8bits [2018/05/28 12:07] – d.p.carlisle | 5_fichiers:fontes:fontes_t1_8bits [2021/08/22 16:00] (Version actuelle) – Mise à jour de liens internes. Correction de mise en forme. jejust | ||
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| - | --- | + | ====== |
| - | title: | + | |
| - | category: usage | + | |
| - | permalink: / | + | |
| - | redirect_from: | + | |
| - | date: 2014-06-10 | + | |
| - | --- | + | |
| - | # Finding '' | ||
| Elsewhere, answers to these FAQs recommend that you use an | Elsewhere, answers to these FAQs recommend that you use an | ||
| - | '' | + | "8-bit" |
| - | [accentuation of inflected languages](/ | + | and also recommend the use of Type 1 fonts to ensure that |
| - | and also recommend the use of Type 1 fonts to ensure that | + | you get [[5_fichiers: |
| - | you get [good quality PDF](/ | + | These recommendations used to be contradictory: |
| - | recommendations used to be contradictory: | + | "switch" |
| - | '' | + | encoded Type 1 fonts. |
| - | encoded Type 1 fonts. | + | |
| these problems, was the development of virtual fonts that make | these problems, was the development of virtual fonts that make | ||
| a good approach to the Cork encoding (see below). | a good approach to the Cork encoding (see below). | ||
| - | have '' | + | have "true" |
| embarrassment of riches with three free alternatives, | embarrassment of riches with three free alternatives, | ||
| commercial and one shareware version. | commercial and one shareware version. | ||
| - | [`CM-super`](https:// | + | $\Reponse$ |
| auto-traced set which encompasses all of the T1 and TS1 | auto-traced set which encompasses all of the T1 and TS1 | ||
| encodings as well as the T2* series (the family of encodings | encodings as well as the T2* series (the family of encodings | ||
| Ligne 31: | Ligne 23: | ||
| space. | space. | ||
| - | [`CM-LGC`](https:// | + | $\Reponse$ |
| - | modest size; it covers T1, TS1 and T2A | + | modest size; it covers T1, TS1 and T2A encodings (as does [[ctanpkg> |
| - | encodings (as does [`CM-super`](https:// | + | and also covers the LGR encoding (for typesetting Greek, based on |
| - | encoding (for typesetting Greek, based on Claudio Beccari' | + | Claudio Beccari' |
| - | sources). | + | to be small by going to the opposite extreme from [[ctanpkg> |
| - | opposite extreme from [`CM-super`](https:// | + | which includes fonts at all the sizes supported by the original EC (a huge range); |
| - | the sizes supported by the original EC (a huge range); | + | [[ctanpkg> |
| - | [`CM-LGC`](https:// | + | |
| scaling. | scaling. | ||
| - | approach, but for the disc-space-challenged machine, [`CM-LGC`](https:// | + | approach, but for the disc-space-challenged machine, [[ctanpkg> |
| is an obvious choice. | is an obvious choice. | ||
| - | [`Tt2001`](https:// | + | $\Reponse$ |
| - | fonts, and has some virtues& | + | fonts, and has some virtues |
| - | [`CM-super`](https:// | + | [[ctanpkg> |
| - | [`Latin Modern`](https:// | + | $\Reponse$ |
| - | program [`MetaType1`](/ | + | '' |
| - | [`Latin Modern`](https:// | + | The [[ctanpkg> |
| - | LY1 encoded variants (as well as a variant using the Polish | + | (as well as a variant using the Polish QX encoding); for the glyph set it covers, |
| - | QX encoding); for the glyph set it covers, its outlines seem | + | its outlines seem rather cleaner than those of [[ctanpkg> |
| - | rather cleaner than those of [`CM-super`](https:// | + | [[ctanpkg> |
| - | [`Latin Modern`](https:// | + | [[ctanpkg> |
| - | is more modest in its disc space demands than is | + | design sizes as is [[ctanpkg> |
| - | [`CM-super`](https:// | + | [[ctanpkg> |
| - | design sizes as is [`CM-LGC`](https:// | + | original [[ctanpkg> |
| - | [`Latin Modern`](https:// | + | |
| - | original [`CM`](https:// | + | |
| Knuth' | Knuth' | ||
| bases on which the excellence of the TeX system rests. | bases on which the excellence of the TeX system rests. | ||
| - | [Virtual fonts](/ | + | $\Reponse$ |
| - | since they allow us to map '' | + | deal with the problem, since they allow us to map "bits of DVI file" |
| - | characters in the virtual font; so we can create an ''& | + | characters in the virtual font; so we can create an " |
| by recreating the DVI commands that would result from the code | by recreating the DVI commands that would result from the code | ||
| - | `\``e`. However, since this involves two characters being | + | '' |
| selected from a font, the arrangement is sufficient to fool | selected from a font, the arrangement is sufficient to fool | ||
| - | `Acrobat` `Reader`: you can't use the program' | + | //Acrobat Reader//: you can't use the program' |
| facilities for searching for text that contains inflected characters, | facilities for searching for text that contains inflected characters, | ||
| - | and if you _cut_ text from a window that contains such a | + | and if you // |
| character, you'll find something unexpected (typically the accent and | character, you'll find something unexpected (typically the accent and | ||
| - | the '' | + | the "base" |
| the result. | the result. | ||
| fonts are a useful and straightforward solution to the problem. | fonts are a useful and straightforward solution to the problem. | ||
| - | There are two virtual-font offerings of CM-based 8-bit | + | $\Reponse$ |
| - | fonts& | + | the [[ctanpkg> |
| - | [`zefonts`](https:// | + | the [[ctanpkg> |
| - | (though the [`ae`](https:// | + | set may be extended to offer guillemets by use of the |
| - | use of the [`aeguill`](https:// | + | [[ctanpkg> |
| - | as `eth` and `thorn` (used in, for example, in | + | as '' |
| - | Icelandic), but the [`aecompl`](https:// | + | but the [[ctanpkg> |
| - | [`ae`](https:// | + | fonts to provide the missing characters from the EC fonts (i.e., as bitmaps). |
| - | EC fonts (i.e., as bitmaps). | + | |
| The sole remaining commercial CM-like 8-bit font comes from | The sole remaining commercial CM-like 8-bit font comes from | ||
| - | Micropress, who offer the complete EC set | + | Micropress, who offer the complete EC set in Type 1 format, |
| - | in Type 1 format, as part of their range of outline versions of fonts | + | as part of their range of outline versions of fonts that were |
| - | that were originally distributed in MetaFont format. | + | originally distributed in MetaFont format. |
| - | ['' | + | "[[6_distributions: |
| - | The shareware | + | The shareware [[6_distributions: |
| - | [BaKoMa TeX distribution](/ | + | set of Type 1 EC fonts, as an extra shareware option. |
| - | set of Type 1 EC fonts, as an extra shareware option. | + | as the present author can tell, these fonts are // |
| - | as the present author can tell, these fonts are _only_ | + | |
| to users of BaKoMa TeX: they are stored in an archive format that | to users of BaKoMa TeX: they are stored in an archive format that | ||
| seems not to be publicly available.) | seems not to be publicly available.) | ||
| - | Finally, you can use one of the myriad text fonts available in Type 1 | + | $\Reponse$ |
| format (with appropriate PSNFSS metrics for T1 encoding, | format (with appropriate PSNFSS metrics for T1 encoding, | ||
| or metrics for some other 8-bit encoding such as LY1). However, | or metrics for some other 8-bit encoding such as LY1). However, | ||
| if you use someone else's text font (even something as simple as | if you use someone else's text font (even something as simple as | ||
| Adobe' | Adobe' | ||
| - | mathematical fonts, which is a non-trivial undertaking& | + | mathematical fonts, which is a non-trivial undertaking |
| - | see ['' | + | see "[[5_fichiers: |
| - | very large download) | + | |
| + | |||
| + | ----- | ||
| + | //Source:// [[faquk> | ||
| + | |||
| + | {{htmlmetatags> | ||
| + | metatag-og: | ||
| + | metatag-og: | ||
| + | }} | ||

